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Rogue Shakespeare®

producing the award-winning and critically-acclaimed verse plays of Ryan J-W Smith since 2001



Rogue Shakespeare® has been producing the critically-acclaimed verse plays of Ryan J-W Smith since 2001.

Smith is a multi-award winning verse playwright and world-record holding poet, having written 7 verse plays, 1 verse screenplay, and over 1700 Shakespearean sonnets. His accolades include: two-time Hollywood Fringe International Award Winner; two-time Encore Producers’ Award Winner; Hollywood Fringe Comedy Award Nomination; Amnesty International Freedom of Expression Award Nomination; Gandhi Foundation Award Recipient; three-time Arts Council England Award Recipient, two-time ‘Pick of the Fringe’ (Edinburgh), The Observer (Newspaper) Fringe Promoter of the Year, and countless professional 4 and 5-star reviews.

Smith’s best-known works include:

Sweet Love Adieu (original 2001 / new version 2016)

Love Labours Won (2005)

MacDeth! (2016)

The Poet Cursed (2012)

New World Order (2008)

500 Shakespearean Sonnets (2012)

and his latest…

Pretty, Witty Nell (written 2017, first performed 2019)


Nominated for the Hollywood Fringe International Award 2019

Pretty, Witty Nell is Smith’s 7th verse play. A new and original one-woman tragicomedy, written entirely in rhyming iambic pentameter, about Nell Gwynne, the famous actress and mistress of the wild British monarch, King Charles II.

Nell Gwynne by Lely c.1670

Starring Melanie Johnson, it was premiered at the Hollywood Fringe in June 2019, where it delighted audiences and reviewers – receiving standing ovations – watch the promo video below for a quick taste.

It was also nominated for the Hollywood Fringe International Award – the award which Smith won twice previously in 2015 & 2016 with his verse plays, Love Labours Won and MacDeth! respectively.

Hollywood Fringe Reviews:

Melanie Johnson as Nell Gwynne in Smith’s PRETTY, WITTY NELL

Pretty, Witty Beginnings!

Much like Nell Gwynne herself, Smith’s one-woman tragicomedy had an unorthodox start to life. Originally written in 2017 as the one-woman show we now know and love, Smith subsequently adapted the play into a two-hander farce – and he and his leading lady performed this version the first week of Fringe – before Smith, preferring the original, decided to “fire himself from the stage” and revert back to the one-woman script. Several reviewers alluded to Smith’s bravery in doing this:

Ryan J-W Smith and his pal, 7-time Emmy Award winner Ed Asner, promote Smith’s PRETTY, WITTY NELL at a red carpet event in LA

In May, 2019, Broadway World announced Smith’s latest world premiere:

Melanie Johnson as Nell Gwynne in Smith’s PRETTY, WITTY NELL


Winner of 2 Hollywood Fringe Awards

Another original Smith verse comedy written entirely in rhyming iambic pentameter.

Imagine Monty Python trying to perform MacBeth and you have an idea of what you can expect from Smith’s award-winning riot, MacDeth! Premiered at the 2016 Hollywood Fringe Festival by Rogue Shakespeare® it played to completely sold-out houses and won Smith another Hollywood Fringe International Award and an Encore! Producers’ Award – along with a nomination for the Hollywood Fringe Comedy Award – all with heaps of acclaim from fans and professional critics alike, of course!

“SHOWS TO SEE – MACDETH!.. lighten up the classic study in evil with a touch of Monty Python”


“Fringe award-winner Ryan J-W Smith, no stranger to the words of the Bard, offers up an abbreviated version of the the Scottish Play that races along at lightning speed, peppered with comedic asides and modern references.”

Arts Beat LA

“The reinventions keep coming… from the iconoclastic British writer and poet, Ryan J-W Smith”

Cultural Weekly

Broadway World announced Rogue Shakespeare’s return:

“MacDeth! is a clever and hilarious Monty Pythonesq send up of The Great Bard’s classic tale of ‘MacBeth’. The script, written by Ryan J-W Smith in rhyming Shakespearean-style verse, is nothing short of brilliant. 

Writer and director, Smith’s turn as MacDeth exhibits an obviously accomplished actor of impeccable comedic timing and presence, boldly leading his ensemble to the promised land – a full house and standing ovation.”

LA Stage Reviews

“WHAT TO SEE FOR SURE – MACDETH! – a wild comedy of errors

LA West Media

“THE CLASSICS – British playwright/poet, Ryan J-W Smith, who garnered two awards (including the International Award) at Hollywood Fringe 2015, brings his Rogue Shakespeare theatre company back with two new Bard-esque farces, performed in two venues.”

This Stage Magazine

“MACDETH! is outrageous, clever, political, disgusting, hilarious! This show is a must see! It’s brilliant… Loved it!”

Bitter Lemons


Blog Critics

GOLD AWARD – “Ryan J-W Smith’s painfully clever, pugnaciously subversive, and decidedly funny sendoff of Shakespeare’s Scottish play”

The Tvolution

“We saw MacDeth! Highly recommend this one-of-a-kind show!”

The Vagrancy

“Shakespeare collides with Monty Python in Ryan J-W Smith’s award-winning raucous verse comedy.”


Sweet Love Adieu

Nominated for a Hollywood Fringe Award

Smith wrote his first verse play, Sweet Love Adieu, in 2000. He produced the world premiere with Rogue Shakespeare® in 2001 in St. Albans, England. Since then it has been produced internationally many times by many companies around the world including at the Edinburgh Fringe, and off-Broadway in Theatre Row on 42nd Street (New York City).

In 2016, Smith completely re-wrote the play into an electrifying new version which he premiered at the Hollywood Fringe Festival that year. Sweet Love Adieu was nominated for the International Award (won that year by Smith’s other contender, MacDeth!).

Lance Frantzich as Magistrate and Ryan J-W Smith as Sidney in Smith’s Sweet Love Adieu.

“Takes one of Shakespeare’s greatest tragedies and turns it into an hilarious comedy

British Theatre Guide

“Methinks it’s a treat!”

Whitby Gazette

“There IS culture…highly accomplished

this play’s a comic delight!”

St. Albans Observer

“a non-stop, hilarious, irreverent (if not fully raunchy) parody… a loving tribute to the Bard of Avon, from Smith – a bard in his own right… GET YOUR TICKETS NOW!

LA Stage Reviews

“The pain that this play causes results from laughter”

“Smith plates out another wordtastic dish for the educated masses and hits the mark once more…GO SEE THIS!!!

Matt Ritchey


“The best show we have been to at the Fringe, and is sure to be a winner in whatever categories it is entered in. I highly recommend it, just wonderful!

Mindy Pfeiffer


“simply delightful. It’s one of the funniest stage plays I’ve seen.

Michael Garcia


“A Writer-Director-Actor is a TRIPLE threat but RYAN J-W SMITH has TWO shows running in rep, so that makes him a SEXTUPLE threat – with the emphasis on Sex (and free chocolate)! Conversational Iambic Pentameter takes some getting used to, but once you’re in the game – from the moment the 8 players greet you before the show starts – it seems as natural as the unnatural things they do!

Shakespearean Satire is tricky, but this trouple pulls it off with elan, thanks to a sound script that seems like something Will might have WISHED he’d thought of himself.”

Charles Zairko


“Smart, funny, bawdy, awesome! The creator of my personal favorite show from HFF 15 does it again – there is so much comedic brilliance in the writing and in the performances. My words fail me, Ryan J-W Smith’s never do. Go if you possibly can!”

Amy Francis Schott



Winner of 2 Hollywood Fringe Awards


Written and first performed in 2006 by Rogue Shakespeare®, Love Labours Won has delighted thousands of audience members. Accolades include two Pick of the Fringe (Edinburgh) selections and winning the Hollywood Fringe Festival’s highly coveted International Award (2015), as well as an Encore! Producers’ Award (2015). As you will see below, it has had countless 4 and 5 star reviews.

Ryan J-W Smith receiving The International Award
at the 2015 Hollywood Fringe Awards Ceremony (photo: Matt Kamimura)

“…a thrill hearing Smith’s verse, a reminder that the old forms still hold up under new hands. A good time, to be sure.”

Noah J Nelson

Critic, Turnstyle News

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“an original, comedic Shakespearean pastiche written entirely in rhyming iambic verse by acclaimed British playwright, Ryan J-W Smith. Love Labours Won is one of the most acclaimed plays ever to come out of the Edinburgh Festival Fringe.”

Broadway World

Audience Reviews – Hollywood Fringe 2015



“A corker of a production!

With the fiercely talent Smith at the helm, expect to hear loads about this company in the future.”

UK Theatre Network


“Smith – master of the iambic pentameter, cleverly matches Shakespeare at his own game”


Smith’s Love Labours Won was a box-office and critically-acclaimed hit at the Edinburgh Fringe in 2006 and 2007



“I don’t make a practice of going to see a Fringe show two years running. Was it worth sacrificing one of my slots? It was.”

British Theatre Guide


“still excellent…Smith has done an astonishing job

Shakespeare would thoroughly approve of this company’s skill and vaulting ambition”

Broadway Baby


Smith is to my point of view far better than anything that came out of Stratford. It’s easy to see why is was so critically acclaimed last year.”


Fringe Promoter of the Year 2007 – Ryan J-W Smith

The Observer - UK National Newspaper



“the best Shakespearean comedy not written by Shakespeare – this is unmissable!”

3 Weeks


“Smith is one to watch”

Fringe Review


“there are not many Fringe productions pulling the size of audience this is’”

British Theatre Guide


“This Shakespearean-style verse comedy is pacy and well performed”



“a mesmerizing work from a young writer whose career we should follow very closely”


“The brilliant wit of Ryan J-W Smith”

Art'icle Magazine


“Go see it and watch great theatre in action.”

UK Theatre Network

“brilliantly pacy, well-balanced and intriguing… bravo Ryan!”

The Dewsbury Reporter

The Poet Cursed

Selected for the Cannes Film Festival, Court Metrage

In 2010, Smith moved into film production producing 4 festival-winning short films that year.

In 2012, Ryan then wrote, directed, produced and starred in his 5th short film, The Poet Cursed, scripted entirely in rhyming iambic verse.

It was premiered in the short film corner at the 65th Cannes Film Festival and was selected for 6 other international film festivals.

New World Order

Nominated for an Amnesty International Award

New World Order, Smith’s only one-man verse play, performed, directed and produced by Smith, was nominated for The Amnesty International Freedom of Expression Award 2008 and received nothing but 4 and 5-star reviews.


“One piece that is really essential to see is Ryan J-W Smith’s New World Order

Edinburgh Guide


“Performed immaculately…it should be missed by no one”

Fringe Review


“sharply scripted in verse… 

Smith’s honest, gritty delivery”

British Theatre Guide


“one man epic…Smith gives an extremely powerful performance”



“Smith has written an incredible play here…

a compelling, challenging piece of theatre”

3 Weeks


“Fringe acclaimed over the last two years, Smith returns with a much more bitter pill…

stunning and convincingly delivered”

List Magazine

“Few performances I’ve seen have been as gripping, touching and perceptive as New World Order

Transitions between the three characters are so smooth it’s easy to forget there is only one person on stage. Adept use of physicality and vocal nuances mark each character and compliment the depth of the text. Suspending disbelief is an almost unconscious act from start to finish.


Amy Bradney-George

writer for the Sydney Morning Herald

500 Shakespearean Sonnets

Having written over 1700, Smith holds the world-record for authoring more Shakespearean Sonnets than any other person in history. A Shakespearean or ‘English’ sonnet is 14 lines long, written in iambic pentameter with a rhyming structure of ABAB CDCD EFEF GG. The first 500 were published in 2012  and received nothing but glowing reviews from critics and readers alike.

“an honest process of learning, healing and repentance…

a collection of inspirational, honest and didactic poetry”


Mouth London

“Shakespeare’s managed to write 154 – Smith has penned more than three times that number.

…splendidly contemporary…a tour de force


Herald Scotland

“this collection shows a tremendous talent and deserves to sit alongside your Poes, Plaths, and T.S. Elliots


Mass Movement Magazine

“Masters of the verse – Smith pays homage to the Bard with the must-read collection of his own modern verse

London Planner

“Candid, spiritual, philosophical and sometimes boldly political… a landmark in literature”

Watkin's Magazine

“impressively well-constructed… often startlingly expressive and insightful…

a fascinating and richly detailed picture of the author”

Neon Literary Magazine

“Incredibly well written…a poetic achievement.

A great gift for any poetry lover in your life.

Stunning stuff.”

Book A Poet

“Shakespeare’s record of 154 in his lifetime as breathtaking. But what Ryan J-W Smith has achieved is simply awe-inspiring…

a very truthful portrayal of life…beautifully crafted… highly recommended

Frost Magazine

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